(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him. After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706.   Related Paintings of Louis de Silvestre :. | Portrait of King August III in Polish costume | Portrait of the Princess Maria Amalia of Saxony in Polish costume. | Anna Orzelska in riding habit | Portrait of | Portrait of the Queen Maria Josepha in Polish costume |
Related Artists:
SPELT, Adrian van der
Dutch painter (b. ca. 1630, Leiden, d. 1673, Gouda).
Kole Idromeno
Kolë Idromeno (1860-1939) was an Albanian painter, sculptor, photographer, architect and engineer. He was born in Shkodër, where he learned the first elements of photography from Pietro Marubi. In 1876 he stayed for some months at the Academy of Fine Arts in Venice (Accademia di Belle Arti di Venezia), and then worked in the studio of an Italian painter. When back in Albania (1878), he engaged himself in a number of different activities, working as an architect, sculptor, photographer, scene-painter, engineer and painter. He was the initiator of the first art exhibition in Shkodër (1923) and was represented in the first national art exhibition in Tirana (1931). He established a very active photographic studio. Idromeno was the first painter to show motion pictures in Albania in 1912. He had kept up a correspondence with the Lumiere brothers in Paris.
Carl Joseph Begas
Carl Joseph Begas (September 30, 1794 - November 24, 1854), was a German historical painter born at Heinsberg near Aachen. His father, a retired judge, destined him for the legal profession, but the boy's tastes pointed definitely in another direction. Even at school he was remarked for his wonderful skill in drawing and painting, and in 1812 he was permitted to visit Paris in order to perfect himself in his art. He studied for eighteen months in the atelier of Antoine Jean Gros then began to work independently. In 1814 his copy of The Madonna della Sedia was bought by the king of Prussia, who was attracted by the young artist and did much to advance him. He was engaged to paint several large Biblical pictures, and in 1825, after his return from Italy, continued to produce paintings which were placed in the churches of Berlin and Potsdam. Some of these were historical pieces, but the majority were representations of Scriptural incidents. Begas was also celebrated as a portrait-painter, and supplied to the royal gallery a long series of portraits of eminent Prussian men of letters. At his death he held the post of court painter at Berlin.